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: NECRO STELLAR "Saturating Cemetery"

  1. #1
    RGP Member
    Nov 2004
    123
    //? -

     NECRO STELLAR "Saturating Cemetery"

    Shadowplay Release : , , NECRO STELLAR "Saturating Cemetery". 2004 , , , . : , . dark electro, ambient, psychedelic rock cyber dark space. , , , voodoo electro. , - DJ Chthon'. 30 () 2005 gothic party " " "". "", . , . "", . . 6.

    http://music.gothic.ru/shadowplay/necrostellar-sc.htm
    http://music.gothic.ru/30apr05tochkaparty.htm

  2. #2
    Banshee

    )) ?)))

  3. #3
    Whisper

    NECROSTELLAR
    "SATURATING CEMETERY"

    A strange duo, and a stunning record, this is the kind of thing which quite literally makes your day, from the initial discovery, with the delight it causes, right through to the way you start to recognise and anticipate the crazy surges and beguiling treats on offer. What it is, and why its made this way, is a total mystery to me, because the Goth content is virtually zero on one level, and yet the magic and mayhem they cause is entirely Goth-relevant. So thats another sign of Russian Goth being so unpredictable that you have to keep a wily eye on it, because it can be so much more exciting than the usual.

    Saturating Cemetery as an opening track is like the tick-tocking of irate synths, with bells for company alongside rounded, impatient bass notes, and this music fills out with surety and instant intensity, as crunching electro of an edgy, arty sort should. Then in comes this big gruff, totally Russian voice, like out of a doomy historical epic. (Motherfucker Russia?) The music swells sweetly behind him as he gargles along, with tsars in his eyes. It is ridiculously hypnotic and sparkly, but based on a bed of nettles. It prickles and heaves happily and when the quicksilver backing vocals start to scoot about you know it is as convivial as Dvar, but essentially conventional. So, youve been hit by their winning ways, and then you whimper over whats coming next.

    Its called The Seven Rays Of Da Kapa Preta and with a waltzing bass and stamping, treated vocals this is more Gothish but like some caveman goth trying be serious and profound only to find once his blindfold is removed hes on a trampoline. (Whee!) Pop to its bleeding core - but I daresay guess cossack drinking songs were the original techno! - it has stages too, as they purr and boil, then cut into snappish mood. Think of 2 Unlimited splashing through a broken down sewer - Are you ready for Piss? and its similar, brilliant fun! Kitsch dance, thrust into the gloom but not afraid of the dark.

    The Pictures Of The Russian Village (Part 3) - The Forest Road is a magical musical landscape of echoes and enchanting synth all but replicating insects and muffled noise. Then Yura (for it is he!) begins to sing sweetly, making it a less blighted, claustrophobic region, only for it to close in again once he wanders away. The long Clearness has fiendish dance mechanisms having a fit behind slow heartfelt vocals, and the percussion darts about behind the attractive female vocals of Anastasia (for it is she!) who fill the spaces delicately, as they gradually build, then pound and slug you repeatedly before dropping back to dripping noises, and gaseous synth sounds. Well creepy. The End Of Summer by contrast is gentle and chiming with this thunking bass hanging vibrant before our eyes, and it manages to exist with some momentum despite being a bit daft really

    Sweetness provokes more mad vocals to hang in the air like a perverted wizard, then a fuzzy electro pop dance track starts his hips swaying, and she sings like an ailing diva. With a brilliant Dr Sweetness chorus that is heavenly. And quite mad. Stomenov Trip has deeper, rumbling, dribbling, da-da-da-dum vocals and seeping bass menace. Theres also churchy sounds creeping from the morose climax. Ori Egun then breaks out as supercharged dance, but goes all pastoral lyrically, sung in harmonious style, before we plunge back down a steep slope on a synth rollercoaster, which is totally invigorating.


    The Pictures Of The Russian Village (Part 40 The Horned Herdsman is wonderfully murky, and remains consistently strange until a very weird, stretched and squeaking ending.
    Eschathology Of Universeless features more crazed, shifting noise, yet just when you suppose theyll get darker until the album ends The Little Song For The Little Devil steps out as a chirpy dance thing with twitching beats crosscut into its lunacy, and that takes you into Dlo Kwala Manyan which is equally driven, but with divine vocal strafing amid the musical chafing.

    You know, its almost like this record is a modern soundtrack for the film Barbarella, its that unusual, that commercial - in its own twisted way - and that wonderful. Lets play it again.

    Review by Mick Mercer

    http://www.mickmercer.com/mmset.html

  4. #4
    Sergius Nokturnus

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  5. #5
    Kveldsulf

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  6. #6
    e-nke

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    Kveldsulf

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  10. #10
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    Relect

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  12. #12
    Whisper

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  13. #13
    Shark

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  14. #14
    mif

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  15. #15
    Tyrant

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  16. #16
    Kveldsulf

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  17. #17
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  18. #18
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  20. #20
    Sergius Nokturnus

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