Ðåçóëüòàòû ñ 1 ïî 20 èç 20

Òåìà: Íîâûé àëüáîì NECRO STELLAR "Saturating Cemetery"

  1. #1
    RGP Member
    Äàòà ðåãèñòðàöèè
    Nov 2004
    Ñîîáùåíèé
    123
    Îí/Îíà/Îíî? - Îí

    Ïî óìîë÷àíèþ Íîâûé àëüáîì NECRO STELLAR "Saturating Cemetery"

    Shadowplay Release ïðåäñòàâëÿåò: âûøåë â ñâåò íîâåéøèé àëüáîì ðóññêîé îêêóëüòíîé ãðóïïû, âåòåðàíîâ îòå÷åñòâåííîé òåìíîé âîëíû, NECRO STELLAR "Saturating Cemetery". Ðàáîòà íàä ìàòåðèàëîì ïðîõîäèëà â òå÷åíèè ëåòà 2004 ãîäà, è, ïðåæäå âñåãî, ñòàëà ýêñïåðèìåíòîì â ïîèñêàõ ñîáñòâåííîãî ñàóíäà. Ïðè çàïèñè áûëà èñïîëüçîâàíà ñàìàÿ øèðîêàÿ ïàëèòðà èíñòðóìåíòîâ: îò ñòàðûõ ñîâåòñêèõ àíàëîãîâûõ ñèíòåçàòîðîâ äî ïåðêóññèîííûõ èíñòðóìåíòîâ, ñäåëàííûõ èç ÷åëîâå÷åñêèõ êîñòåé. Ñòèëèñòèêà âàðüèðóåòñÿ â äèàïàçîíå îò dark electro, ambient, psychedelic rock äî cyber dark space.  öåëîì, âåñü àëüáîì íåñåò â ñåáå òîò ìèñòè÷åñêèé òåìíûé çàðÿä, êîòîðûé ïðèñóù âñåì âûñòóïëåíèÿì è ïðåæíèì ðàáîòàì ïðîåêòà, áëàãîäàðÿ êîòîðîìó ñòèëü ãðóïïû õàðàêòåðèçóþò êàê voodoo electro. Äèñê çàâåðøàþò áîíóñ òðýêè, îäèí èç êîòîðûõ - ðåìèêñ îò DJ Chthon'à. Ïðåçåíòàöèÿ àëüáîìà ñîñòîèòñÿ 30 àïðåëÿ (ñóááîòà) 2005 íà gothic party "Âàëüïóðãèåâà Íî÷ü" â Êëóáå "Òî÷êà". Êëóá "Òî÷êà", ã. Ìîñêâà, ì. "Îêòÿáðüñêàÿ", Ëåíèíñêèé ïð. ä. 6.

    http://music.gothic.ru/shadowplay/necrostellar-sc.htm
    http://music.gothic.ru/30apr05tochkaparty.htm

  2. #2
    Banshee
    Ãîñòü

    Ïî óìîë÷àíèþ

    íèêóÿñåáå êèáåðäàðêñïåéñ íîâûé ñòèëü èçîáðåëè)) äàì ÷åãî çâóê êîííåêòà ìîäåìà ñåïìïëèðîâàëè?)))

  3. #3
    Whisper
    Ãîñòü

    Ïî óìîë÷àíèþ

    NECROSTELLAR
    "SATURATING CEMETERY"

    A strange duo, and a stunning record, this is the kind of thing which quite literally makes your day, from the initial discovery, with the delight it causes, right through to the way you start to recognise and anticipate the crazy surges and beguiling treats on offer. What it is, and why it’s made this way, is a total mystery to me, because the Goth content is virtually zero on one level, and yet the magic and mayhem they cause is entirely Goth-relevant. So that’s another sign of Russian Goth being so unpredictable that you have to keep a wily eye on it, because it can be so much more exciting than the usual.

    ‘Saturating Cemetery’ as an opening track is like the tick-tocking of irate synths, with bells for company alongside rounded, impatient bass notes, and this music fills out with surety and instant intensity, as crunching electro of an edgy, arty sort should. Then in comes this big gruff, totally Russian voice, like out of a doomy historical epic. (Motherfucker Russia?) The music swells sweetly behind him as he gargles along, with tsars in his eyes. It is ridiculously hypnotic and sparkly, but based on a bed of nettles. It prickles and heaves happily and when the quicksilver backing vocals start to scoot about you know it is as convivial as Dvar, but essentially conventional. So, you’ve been hit by their winning ways, and then you whimper over what’s coming next.

    It’s called ‘The Seven Rays Of Da Kapa Preta’ and with a waltzing bass and stamping, treated vocals this is more Gothish but like some caveman goth trying be serious and profound only to find once his blindfold is removed he’s on a trampoline. (Whee!) Pop to it’s bleeding core - but I daresay guess cossack drinking songs were the original techno! - it has stages too, as they purr and boil, then cut into snappish mood. Think of 2 Unlimited splashing through a broken down sewer - Are you ready for Piss? – and it’s similar, brilliant fun! Kitsch dance, thrust into the gloom but not afraid of the dark.

    ‘The Pictures Of The Russian Village (Part 3) - The Forest Road’ is a magical musical landscape of echoes and enchanting synth all but replicating insects and muffled noise. Then Yura (for it is he!) begins to sing sweetly, making it a less blighted, claustrophobic region, only for it to close in again once he wanders away. The long ‘Clearness’ has fiendish dance mechanisms having a fit behind slow heartfelt vocals, and the percussion darts about behind the attractive female vocals of Anastasia (for it is she!) who fill the spaces delicately, as they gradually build, then pound and slug you repeatedly before dropping back to dripping noises, and gaseous synth sounds. Well creepy. ‘The End Of Summer’ by contrast is gentle and chiming with this thunking bass hanging vibrant before our eyes, and it manages to exist with some momentum despite being a bit daft really

    ‘Sweetness’ provokes more mad vocals to hang in the air like a perverted wizard, then a fuzzy electro pop dance track starts his hips swaying, and she sings like an ailing diva. With a brilliant ‘Dr Sweetness’ chorus that is heavenly. And quite mad. ‘Stomenov Trip’ has deeper, rumbling, dribbling, da-da-da-dum vocals and seeping bass menace. There’s also churchy sounds creeping from the morose climax. ‘Ori Egun’ then breaks out as supercharged dance, but goes all pastoral lyrically, sung in harmonious style, before we plunge back down a steep slope on a synth rollercoaster, which is totally invigorating.


    ‘The Pictures Of The Russian Village (Part 40 – The Horned Herdsman’ is wonderfully murky, and remains consistently strange until a very weird, stretched and squeaking ending.
    ‘Eschathology Of Universeless’ features more crazed, shifting noise, yet just when you suppose they’ll get darker until the album ends ‘The Little Song For The Little Devil’ steps out as a chirpy dance thing with twitching beats crosscut into its lunacy, and that takes you into ‘Dlo Kwala Manyan’ which is equally driven, but with divine vocal strafing amid the musical chafing.

    You know, it’s almost like this record is a modern soundtrack for the film Barbarella, it’s that unusual, that commercial - in its own twisted way - and that wonderful. Let’s play it again.

    Review by Mick Mercer

    http://www.mickmercer.com/mmset.html

  4. #4
    Sergius Nokturnus
    Ãîñòü

    Ïî óìîë÷àíèþ

    Îáàëäåííûé àëüáîì. Ìî¸ ëè÷íîå îòêðûòèå ýòîãî ìåñÿöà. Õîòåë òîïèê ñîçäàòü, íî âîñïîëüçîâàëñÿ ïîèñêîâèêîì, â ðåçóëüòàòå ÷åãî íàø¸ë-òàêè êóäà âûðàçèòü âîñòîðã. Áëèí!!! Íèêàê íå îæèäàë, ÷òî ÄÛÕÀÍÈÅ âûðàñòåò â íàñòîëüêî îðèãèíàëüíûé êîëëåêòèâ. Ìóçûêà ïîðîé íàïîìèíàåò ðèòóàë. Ò¸ìíûé è ìðà÷íûé. Ñëóøàåòñÿ íà îäíîì äûõàíèè. Ïðîñòî ñóïåð!!! È ïî÷åìó æóðíàëþãè èç DARK CITY äàæå íå óïîìÿíóëè èõ íàçâàíèå â ñòàòüå î êîíöåðòå DAS ICH â 2003? Êîçëû... Èíòåðåñíî, ãäå òåïåðü äîñòàòü ïåðâûé èõ àëüáîì...

  5. #5
    Kveldsulf
    Ãîñòü

    Ïî óìîë÷àíèþ

    Êòî-êòî èç äàðê ñèòè?

  6. #6
    e-nke
    Ãîñòü

    Ïî óìîë÷àíèþ

    Öèòàòà Èçíà÷àëüíî îïóáëèêîâàíî Sergius Nokturnus
    È ïî÷åìó æóðíàëþãè èç DARK CITY äàæå íå óïîìÿíóëè èõ íàçâàíèå â ñòàòüå î êîíöåðòå DAS ICH â 2003? Êîçëû... Èíòåðåñíî, ãäå òåïåðü äîñòàòü ïåðâûé èõ àëüáîì...
    È õîðîøî, ÷òî íå óïîìÿíóëè... èáî â 2003 ãîäó äàííûé êîëëåêòèâ èãðàë... ñêàæåì òàê, äðóãóþ ìóçûêó...

  7. #7
    Sergius Nokturnus
    Ãîñòü

    Ïî óìîë÷àíèþ

    Öèòàòà Èçíà÷àëüíî îïóáëèêîâàíî Kveldsulf
    Êòî-êòî èç äàðê ñèòè?
    Íàñêîëüêî ÿ ïîìíþ - òàì áûëè Õèðóðã è Êîðþõèí.

  8. #8
    Äðèù
    Ãîñòü

    Ïî óìîë÷àíèþ

    íó, Êîðþõèí - âîîáùå ï...
    ïðèñîåäèíÿþñü ê âîïðîñó, ãäå áû äîñòàòü ïåðâûé àëüáîì ãðóïïû

  9. #9
    Kveldsulf
    Ãîñòü

    Ïî óìîë÷àíèþ

    Öèòàòà Èçíà÷àëüíî îïóáëèêîâàíî Sergius Nokturnus
    Íàñêîëüêî ÿ ïîìíþ - òàì áûëè Õèðóðã è Êîðþõèí.
    Êîðî÷å, áðîñàé òû ýòîò Äàðê ñèòè ÷èòàòü - Àéðîíäîâñêèé ðåêëàìíûé êàòàëîã ýòî.

  10. #10
    Sergius Nokturnus
    Ãîñòü

    Ïî óìîë÷àíèþ

    Öèòàòà Èçíà÷àëüíî îïóáëèêîâàíî Kveldsulf
    Êîðî÷å, áðîñàé òû ýòîò Äàðê ñèòè ÷èòàòü - Àéðîíäîâñêèé ðåêëàìíûé êàòàëîã ýòî.
    À ÷èòàòü-òî âñ¸ ðàâíî ïî÷òè íå÷åãî. Êàê ñêàçàë ïðî äîñòàâêó æóðíàëîâ â Ñûçðàíü ìîé ïðèÿòåëü (ñòàðøå ìåíÿ íà 13 ëåò ):"Âåç¸ò èõ â Ñûçðàíü èçâîç÷èê íà òåëåãå, è íà êàæäîé ñòàíöèè ïü¸ò áîëüøå ÷åì ÿ (íàäî ñêàçàòü, ïü¸ò Âîâêà ïî÷òè íå ïðîñûõàÿ)". Âîîáùå èç èíôîðìàöèîííûõ èñòî÷íèêîâ ñàìûå ëó÷øèå - èíòåðíåò (ýòîò ñàéò â ÷àñòíîñòè) è Slumber.

  11. #11
    Relect
    Ãîñòü

    Ïî óìîë÷àíèþ

    Âðîäå êàê ñèè òîâàðèùè îáåùàëè íîâûé àëüáîì âûïóñòèòü â ôåâðàëå. Ôåâðàëü ïðîøåë, àëüáîìà íåò. Çàòî åñòü ïèçäàòûé êàâåð íà Ìóí Ôàð Ýâýé ñ Àíòè-Ëàäî. Êðóã-Êîëåñî!

  12. #12
    Whisper
    Ãîñòü

    Ïî óìîë÷àíèþ

    Öèòàòà Èçíà÷àëüíî îïóáëèêîâàíî Relect
    Âðîäå êàê ñèè òîâàðèùè îáåùàëè íîâûé àëüáîì âûïóñòèòü â ôåâðàëå. Ôåâðàëü ïðîøåë, àëüáîìà íåò. Çàòî åñòü ïèçäàòûé êàâåð íà Ìóí Ôàð Ýâýé ñ Àíòè-Ëàäî. Êðóã-Êîëåñî!
    äà áóäåò âñå, òîëüêî íå â ôåâðàëå, à âåñíîé. Òî áèøü î÷åíü ñêîðî. Attrition íåñêîëüêî çàòÿíóëè ñ ðåìèêñîì.

  13. #13
    Shark
    Ãîñòü

    Ïî óìîë÷àíèþ

    Öèòàòà Èçíà÷àëüíî îïóáëèêîâàíî Whisper
    äà áóäåò âñå, òîëüêî íå â ôåâðàëå, à âåñíîé. Òî áèøü î÷åíü ñêîðî.
    Æäó ñ íåòåðïåíèåì.

  14. #14
    mif
    Ãîñòü

    Ïî óìîë÷àíèþ

    Âìåñòå ñ î÷åðåäíûì êîêàèíîâûì òðàíøåì ìíå ïîäêàòèëè è ýòîò àëüáîì.
    ß ñ÷èòàþ, ÷òî ïðîñòî îòëè÷íî! Íå çíàþ, ÷òî îíè ðàíåå èãðàëè, òðåê íà "Öâåòà ×åîðíîãî ÷.1" íå î÷åíü ïîíðàâèëñÿ, íî òóò ïðîñòî áëåñê. Âïîëíå ìîãóò âûñòóïàòü âìåñòå ñ Ò3Ð

    Î÷åíü ïðèÿòíî ñëûøàòü òàêóþ îðèãèíàëüíóþ ãîööêóþ ïëÿñîâóþ îòå÷åñòâåííîãî ïðîèçâîäñòâà, êîòîðóþ è ïðîñòî ïîñëóøàòü ìîæíî â ñïîêîéíîé èíòèìíîé îáñòàíîâêå.

    ï.ï.ñ.
    Íî âñ¸-òàêè ðÿçàíñêèé àêöåíò âûïóêëî ïðîñòóïàåò äàæå èç-çà çàíàâåñà âîêîäåðà

  15. #15
    Tyrant
    Ãîñòü

    Ïî óìîë÷àíèþ

    À ÿ ÷òî-òî íå ïðîíèêñÿ ñîâåðøåííî ýòèì àëüáîìîì, ìíå îí ïîêàçàëñÿ ïîëíûì îòñòîåì. Ìîæåò ÿ ÷åãî-òî íå ðàññëóøàë, è íàäîáíî ñäåëàòü âòîðóþ ïîïûòêó, äàæå íå çíàþ...

  16. #16
    Kveldsulf
    Ãîñòü

    Ïî óìîë÷àíèþ

    Öèòàòà Èçíà÷àëüíî îïóáëèêîâàíî Tyrant
    À ÿ ÷òî-òî íå ïðîíèêñÿ ñîâåðøåííî ýòèì àëüáîìîì, ìíå îí ïîêàçàëñÿ ïîëíûì îòñòîåì. Ìîæåò ÿ ÷åãî-òî íå ðàññëóøàë, è íàäîáíî ñäåëàòü âòîðóþ ïîïûòêó, äàæå íå çíàþ...
    ÈÌÕÎ îòëè÷íûé àëüáîì. Ïîïðîáóé ïîñëóøàòü åùå ðàç. Èíòåðåñíàÿ ñìåñü äàðêâåéâà è EBM/electro. Êàê-òî íà òàíöïîëå ìû òðåê Saturating Cemetery ñ Das Ich ñïóòàëè

  17. #17
    mif
    Ãîñòü

    Ïî óìîë÷àíèþ

    Íå, ìîæíî ðàñòå÷üñÿ ìûñëåþ ïî äðåâó î âòîðè÷íîñòè è áåçäàðíîñòè âñåé "ãîòèê-åáì-äàðêâåéâ" ñöåíû â ãëîáàëüíîì ìóçûêàëüíîì ïëàíå. Íî òàê è äî Êîëëèíñêîãî íèãèëèçìà ìîæíî äîéòè

    Ëè÷íî ÿ îòíîøóñü ê ýòîìó àëüáîìó óòèëèòàðíî - êàê ê õîðîøåìó ïðîèçâåäåíèþ â æàíðå "ãîòè÷åñêèé òàíöïîë" (ðàçóìååòñÿ, òàì íå âñ¸ òàíöåâàëüíî, íî íå â ýòîì ñóòü).
    Çâó÷èò îíî äîâîëüíî ñâåæî, íåò íàäîåäëèâûõ øòàìïîâ, êîòîðûå ìåíÿ îòâðàùàþò â äàííîì ñòèëå (òóïîå èñïîëüçîâàíèå àðïåäæèàòîðà, îñòî÷åðòåâøèå òðàíñîâûå äæ-äæ-äæ, ìîíîòîííûé snare íà ñëàáóþ äîëþ),
    Íåò ëèíåéíîé äîëá¸æêè è ñõåìû "êóïëåò-ïðèïåâ", ðàçíîîáðàçíûå çâóêîâûå-òèïàýìáèåíòíûå âñòàâêè íåáàíàëüíû è õîðîøî òàê ðàçáàâëÿþò "êîëáàñíóþ" ÷àñòü êîìïîçèöèé. Íà ôîíå òåõíî-ðèòìîâ è ñêðèïè÷íûå çàïèëû ìîæíî óñëûøàòü, âîîáùå çâóê î÷åíü íàñûùåí.

    (Êîíå÷íî íå ôàêò, ÷òî ÿ ñïóñòÿ 10 ìèíóò íå ðàçî÷àðóþñü è íå äîñòàíó çàïûëåííóþ ìï3-øêó ñ Ash Ra Temple/Canaxis, ïîñëàâ ê ÷¸ðòó âñþ ýòó "ãîòåêó", íî â äàííûé ìîìåíò îíî ìíå íðàâèòñÿ )

    Ðàçâå ÷òî âîêàë íå íðàâèòñÿ, íå î÷åíü îí âûðàçèòåëåí.

    È âîîáùå, ÿ ñ÷èòàþ, ÷òî ó íàñ ìîãóò ïèñàòü ìóçûêó íå õóæå âñÿêèõ Das Ichîâ è Die Formîâ.

  18. #18
    Kveldsulf
    Ãîñòü

    Ïî óìîë÷àíèþ

    Ñîëèäàðåí â îöåíêå àëüáîìà. Ìóçûêó ïèñàòü ìîãóò, íî, ñàì ïîíèìàåøü, âîïðîñ êîììåð÷åñêîé âîñòðåáîâàííîñòè ðåøàåò.

  19. #19
    ÌÈÒÈÍÃ
    Ãîñòü

    Ïî óìîë÷àíèþ

    Ïîñëóøàë èíòåðåñíî, íåîû÷íî ïîíðàâèëîñü

  20. #20
    Sergius Nokturnus
    Ãîñòü

    Ïî óìîë÷àíèþ

    Öèòàòà Èçíà÷àëüíî îïóáëèêîâàíî Collins
    Ñîãëàñåí. ×óøü ïîëíàÿ!
    Ïîñëàí íàõ!!!

Ïðàâà ïóáëèêàöèè

  • Âû íå ìîæåòå ñîçäàâàòü íîâûå òåìû
  • Âû íå ìîæåòå îòâå÷àòü
  • Âû íå ìîæåòå ïðèêðåïëÿòü ôàéëû
  • Âû íå ìîæåòå ðåäàêòèðîâàòü ñâîè ñîîáùåíèÿ
  •